17. Painting the exterior walls (no 1). A good grasp of the surroundings should be made with special attention given to the effect of reflection to ensure that the image of the completed sky is not altered. Although the quality should not be tampered with, with commercial buildings it is necessary to add a little sensuous exaggeration to give a bright and lively surface impression. As a bracket needs to be added on the pillar in the foreground, the reflection of the light should be drawn in beforehand. The paints used here are: blue grey, yellow ochre, sky blue, cerulean blue, cobalt blue, cobalt violet, burnt sienna (N), white (T), warm sepia (W), yellow grey (H), Prussian blue (H).
18. Painting the exterior walls (no 2). Create the graduation in the grid form while concentrating on the distance available from the visual point and the change of the brightness due to the angles in order to express the check patterns (painted with new san pitro blue and criamea). Supply the texture along the eaves (bonded steel sheets) with the use of an airbrush.
18. Painting the exterior walls (no 2). Create the graduation in the grid form while concentrating on the distance available from the visual point and the change of the brightness due to the angles in order to express the check patterns (painted with new san pitro blue and criamea). Supply the texture along the eaves (bonded steel sheets) with the use of an airbrush.
19. Exterior walls before spraying with the airbrush.
20. Exterior walls after spraying with the airbrush.
21. The expression of the grain and ducts. Add the grain to the check pattern and the large eaves. To express the feeling of distance as apparent in the picture, the foreground grain should be painted dark and clearly, while the grain for the distant parts should be lights and vague. The large eave duct (with a stainless steel mirror finish) should be painted in dark colors to make the neon in the background prominent. The top duct (bonded stainless steel) should be painted even darker.
22. The grain and ducts.
20. Exterior walls after spraying with the airbrush.
21. The expression of the grain and ducts. Add the grain to the check pattern and the large eaves. To express the feeling of distance as apparent in the picture, the foreground grain should be painted dark and clearly, while the grain for the distant parts should be lights and vague. The large eave duct (with a stainless steel mirror finish) should be painted in dark colors to make the neon in the background prominent. The top duct (bonded stainless steel) should be painted even darker.
22. The grain and ducts.
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