10. Expression of the interior rooms (no 2). Add the rough depth. It is important to get the vertical wall of the front hall and the rows of strips just right. Make sure that the contrast is marked clearly even with the lighter colors.
11. Brushing in the detail for the interior rooms. The quality featured in the rooms should be expressed. Add the Nebralbox (Neon), the lighting and highlights. Be sure not to use a single color for the larger panes of glass as the interior decoration should be expressed on the windows. The ribs where the panes overlap should be painted in the same shadowy hues that was used for the room interiors.
12. The completion of the interiors. Although they are part of the external work, the pillars built over the windows should be painted in at this stage. It is one of the distinguishing features of stainless steel that the dark colors and light colors are picked out in extreme contrast.
13. The room interiors completed.
14. Airbrushing the sky and rooms. The same colors that were used for the sky and the interiors should be used. These colors should be thinned down with more water than was used for the brush work and then airbrushed on. It is not necessary to use masking tape at this point. Coordinate the sky that could not be expressed by the plain brush be comparing the image of the completed room interiors. At the same time, put in the long distance view by using a board as a simple mask. The paints used here are: warm sepia (w), yellow grey (H), and Prussian blue (H). The airbrush is effective for expressing the lighting within the rooms, but care should be taken not to spray on too much. The airbrush nozzles must be cleaned after each color. The handpiece used here is the Olympus 101.
15. Spray on the fixing solution. Spray the tripab fixant onto the areas where the airbrushing is finished. This will prevent the airbrushed surface from becoming rubbed during the following procedures. The fixant should not be sprayed on too close to the surface as this will leave marks.
16. The sky and interior after the airbrushing is completed.
12. The completion of the interiors. Although they are part of the external work, the pillars built over the windows should be painted in at this stage. It is one of the distinguishing features of stainless steel that the dark colors and light colors are picked out in extreme contrast.
13. The room interiors completed.
14. Airbrushing the sky and rooms. The same colors that were used for the sky and the interiors should be used. These colors should be thinned down with more water than was used for the brush work and then airbrushed on. It is not necessary to use masking tape at this point. Coordinate the sky that could not be expressed by the plain brush be comparing the image of the completed room interiors. At the same time, put in the long distance view by using a board as a simple mask. The paints used here are: warm sepia (w), yellow grey (H), and Prussian blue (H). The airbrush is effective for expressing the lighting within the rooms, but care should be taken not to spray on too much. The airbrush nozzles must be cleaned after each color. The handpiece used here is the Olympus 101.
15. Spray on the fixing solution. Spray the tripab fixant onto the areas where the airbrushing is finished. This will prevent the airbrushed surface from becoming rubbed during the following procedures. The fixant should not be sprayed on too close to the surface as this will leave marks.
16. The sky and interior after the airbrushing is completed.
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